Earth Plasticity and Plasticity of Perception

One of my earliest memories as a freshman at UCLA took place in the front row of a cavernous, wood-paneled lecture hall equipped with a black-topped resin demonstration table. The class was Introductory Geology, and the professor a bearded, pony-tailed free spirit giddy with the anticipation of Continue reading

Material of Our Time

I actually prefer plastic as a material because it is a material for our times. It represents the now. Ironically it is also ‘archival’, meaning in terms of its longevity it lasts over 100 years. This means that for art, it is a great material.

Claudia Hart (artist/sculptor), “Resolution, Reification,
and Resistance,”  3d Additivist Cookbook.

Not so long ago I had a conversation with a respected curator and gallery director about my research on Continue reading

Petro Pete, Plastic Mascot for Plausible Denial

Petro Pete's Big Bad Dream

In 2016, the Oklahoma Energy Resources Board (OERB) published the fourth volume of its “Petro Pete” series of illustrated children’s books. To promote Petro Pete’s Big Bad Dream, K-2 classes throughout the state were invited Continue reading

The Plastic Arts in the Anthropocene

Joseph Beuys, “7000 Oaks” adapted under CC A-SA 3.0 from Wikimedia Commons

This coming June, I will give a talk at the “Art in the Anthropocene” conference at Trinity College, Dublin about the sculptural theory of the German artist Joseph Beuys. I will discuss the theory’s implications for the politics and ethics of human action in the Anthropocene, implications imbricated with accusations that Beuys, a pilot in the Luftwaffe during World War II, harbored fascist tendencies in his working methods, which often involve the marshaling of large numbers of people in projects that Beuys grouped under the rubric “social sculpture.” Key for this talk, and for this post, will be a remark Beuys made in 1975 about plastic, so I wanted to use the occasion of this post to further some of my thinking about Beuys, particularly where it most intersects with our present focus on plastic.

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Plastics and Animal Communication in the Anthropocene

Satin Bowerbird at his bower JCB.jpg

Ubiquitous plastic in the environment is a hallmark of the Anthropocene (Waters et al. 2016). Wildlife routinely ingest, becoming entangled in, and are impaired by plastic pollution, creating a pressing global problem (e.g., Vegter et al. 2014). While undoubtedly an environmental crisis, these acute impacts are not my focus. I am interested in a more subtle phenomenon: Continue reading

Rethinking the Environment for the Anthropocene

In the spirit of shameless self-promotion I’m delighted to announce the release by Routledge of a new collection of essays, edited by Manuel Arias-Maldonado and myself, entitled Rethinking the Environment for the Anthropocene: Political Theory and Socionatural Relations in the New Geological Epoch. The book grew out of a workshop of environmental political theorists held in 2016. It brings together work by both established and emerging scholars–some of whom contributed initial versions of their ideas to this blog.

Click to download a flyer with the table of contents, and some endorsements. The flyer has a code you can use to purchase Rethinking the Environment Continue reading

“Elysium”

CITATION:
Jean-Jacques Rousseau. 1997.  Part IV, Letter XI (pp. 386-401) of Julie, or the New Heloise. Tr. Philip Stewart and Jean Vaché. In Collected Writings of Rousseau (Volume 6). Hanover, NH: University Press of New England.
ON-LINE AVAILABILITY:
ABSTRACT:
Julie is an epistolary novel set in mid-eighteenth century Switzerland. The plot involves the relationship between St. Preux, a young man who is hired as a tutor to the title character. They become lovers, but he is Continue reading

Pondering a diorama to perceive the Anthropocene

“This sprawling epic is as lively as a natural history museum diorama.” (Stephanie Zacharek, review of “10,000 BC”)

Perceiving means to become conscious of, to realize, to understand, to grasp. Natural history museums strive to enable the public to perceive, commonly in re-creations of past worlds. Who hasn’t gazed over a diorama of the Carboniferous Period, for example, Continue reading