Exploring the intersection of biology and environment through art

Patrick Nagatani, 'Fin de Siècle, Bat Flight Amphitheater, Carlsbad Caverns, New Mexico, 1989
Patrick Nagatani, U.S. 1945-2017, ‘Fin de Siècle, Bat Flight Amphitheater, Carlsbad Caverns, New Mexico, 1989. Chromogenic Print, Gift of The Fred Jones Jr. Museum of Art Association, 2021.

This post was co-authored by

Mariëlle Hoefnagels, University of Oklahoma, Dep’t of Microbiology and Plant Biology
and Amanda Boehm-Garcia, University of Oklahoma, Fred Jones Jr. Museum of Art

Art can highlight environmental issues and be a vehicle for change. While the role of art is as varied as the artists who create it, there are those whose practices intentionally challenge our perspectives, raise awareness, and pose difficult questions to give shape to the world around us. This approach is akin to the impetus that drives the sciences. Many artists, such as American photographer Patrick Nagatani (1945-2017), have melded the methodologies of visual language with detailed scientific study to raise public consciousness about environmental distress.

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“Elysium”

CITATION:
Jean-Jacques Rousseau. 1997.  Part IV, Letter XI (pp. 386-401) of Julie, or the New Heloise. Tr. Philip Stewart and Jean Vaché. In Collected Writings of Rousseau (Volume 6). Hanover, NH: University Press of New England.
ON-LINE AVAILABILITY:
ABSTRACT:
Julie is an epistolary novel set in mid-eighteenth century Switzerland. The plot involves the relationship between St. Preux, a young man who is hired as a tutor to the title character. They become lovers, but he is Continue reading

Pondering a diorama to perceive the Anthropocene

“This sprawling epic is as lively as a natural history museum diorama.” (Stephanie Zacharek, review of “10,000 BC”)

Perceiving means to become conscious of, to realize, to understand, to grasp. Natural history museums strive to enable the public to perceive, commonly in re-creations of past worlds. Who hasn’t gazed over a diorama of the Carboniferous Period, for example, Continue reading

Sensing High Water in Paris

Flood Pont Alexandre III.jpg

Paris, Pont Alexandre III, January 18, 1910

In 1910 Paris suffered its second largest flood since 1658. Today the city is inundated by a public memory of that event of just over a century ago. Continue reading

One geologist’s perception of the Anthropocene

Berlin, 2014. The Anthropocene Working Group (“AWG,” of which I am a member) was convening for the first time to deliberate the proposal to formalize a new geological time unit in Earth’s history. This was personal to me, because Continue reading

Neptune’s Treasure: Confronting the Anthropocene with the Ancient Aroma of Ambergris

Ambergris found in New Zealand. Image from Ambergis NZ

I find examining human history more comforting than considering the ever-encroaching future promised (or threatened?) by talk of the Anthropocene. This preference informs my work as an artist: Continue reading

Sensing High Water in Venice

Venice High Water

Flood warning siren in Venice (from Sounds Like Noise)

Visiting Venice this summer suggested some intellectual bridges between cities (see our previous series on the Urban Anthropocene), and our new theme (Perceiving the Anthropocene). How do cities help us perceive the Anthropocene— Continue reading

Seeing Artful Traces in the Geologic Record

This is the first in a series of posts on Perceiving the Anthropocene.

After escaping Polyphemus’s cave, Odysseus, ignoring protests from his men, shouts back in anger at the giant:

Cyclops! If any mortal asks you how
your eye was mutilated and made blind,
say that Odysseus, the city-sacker,
Laertes’ son, who lives in Ithaca,
Destroyed your sight.

— Homer, The Odyssey, IX.502-506, Emily Wilson, trans.

Odysseus’s announcement functions like a signature Continue reading