Mariëlle Hoefnagels, University of Oklahoma, Dep’t of Microbiology and Plant Biology and Amanda Boehm-Garcia, University of Oklahoma, Fred Jones Jr. Museum of Art
Art can highlight environmental issues and be a vehicle for change. While the role of art is as varied as the artists who create it, there are those whose practices intentionally challenge our perspectives, raise awareness, and pose difficult questions to give shape to the world around us. This approach is akin to the impetus that drives the sciences. Many artists, such as American photographer Patrick Nagatani (1945-2017), have melded the methodologies of visual language with detailed scientific study to raise public consciousness about environmental distress.
Julie is an epistolary novel set in mid-eighteenth century Switzerland. The plot involves the relationship between St. Preux, a young man who is hired as a tutor to the title character. They become lovers, but he is Continue reading →
“This sprawling epic is as lively as a natural history museum diorama.” (Stephanie Zacharek, review of “10,000 BC”)
Perceiving means to become conscious of, to realize, to understand, to grasp. Natural history museums strive to enable the public to perceive, commonly in re-creations of past worlds. Who hasn’t gazed over a diorama of the Carboniferous Period, for example, Continue reading →
Berlin, 2014. The Anthropocene Working Group (“AWG,” of which I am a member) was convening for the first time to deliberate the proposal to formalize a new geological time unit in Earth’s history. This was personal to me, because Continue reading →
I find examining human history more comforting than considering the ever-encroaching future promised (or threatened?) by talk of the Anthropocene. This preference informs my work as an artist: Continue reading →
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