[With this post we begin a series in which we will offer some responses to the pandemic now unfolding across the globe, disrupting everyone’s lives. As we do on this blog we will speak from our own disciplinary positions, in the hope that people from other fields might find their own attempts to understand this crisis enriched.]
Pandemics, like climate change, are strange combinations of human activity and other natural processes. We make pandemics through all that we do — moving, touching, caring, talking, and so forth — because Continue reading
[Part 1 of this post appears here.]
A desolate, uncultivated countryside; a burning village; ruined houses; marauding soldiers—these are the first things visitors to the council chambers in 14th century Siena would have seen of Continue reading
Baronstown West Man, found in County Kildare
This past June, I gave a talk at the Art in the Anthropocene conference at Trinity College Dublin and used the always-happy occasion of being in Ireland to visit a few places there that I had not previously visited. Among them were Continue reading
Ambrogio Lorenzetti, “Allegory of Good and Bad Government” (1338-39), Palazzo Pubblico, Siena
Let me emphasize something from the start: I mean “small r” republican—this post (and another to follow) will have nothing to do with the “capital r” American political party. I’ll consider some ideas associated with Continue reading
I actually prefer plastic as a material because it is a material for our times. It represents the now. Ironically it is also ‘archival’, meaning in terms of its longevity it lasts over 100 years. This means that for art, it is a great material.
Claudia Hart (artist/sculptor), “Resolution, Reification,
and Resistance,” 3d Additivist Cookbook.
Not so long ago I had a conversation with a respected curator and gallery director about my research on Continue reading
Joseph Beuys, “7000 Oaks” adapted under CC A-SA 3.0 from Wikimedia Commons
This coming June, I will give a talk at the “Art in the Anthropocene” conference at Trinity College, Dublin about the sculptural theory of the German artist Joseph Beuys. I will discuss the theory’s implications for the politics and ethics of human action in the Anthropocene, implications imbricated with accusations that Beuys, a pilot in the Luftwaffe during World War II, harbored fascist tendencies in his working methods, which often involve the marshaling of large numbers of people in projects that Beuys grouped under the rubric “social sculpture.” Key for this talk, and for this post, will be a remark Beuys made in 1975 about plastic, so I wanted to use the occasion of this post to further some of my thinking about Beuys, particularly where it most intersects with our present focus on plastic.
This is the first in a series of posts on Perceiving the Anthropocene.
After escaping Polyphemus’s cave, Odysseus, ignoring protests from his men, shouts back in anger at the giant:
Cyclops! If any mortal asks you how
your eye was mutilated and made blind,
say that Odysseus, the city-sacker,
Laertes’ son, who lives in Ithaca,
Destroyed your sight.
— Homer, The Odyssey, IX.502-506, Emily Wilson, trans.
Odysseus’s announcement functions like a signature Continue reading