I actually prefer plastic as a material because it is a material for our times. It represents the now. Ironically it is also ‘archival’, meaning in terms of its longevity it lasts over 100 years. This means that for art, it is a great material.
Claudia Hart (artist/sculptor), “Resolution, Reification,
and Resistance,” 3d Additivist Cookbook.
Not so long ago I had a conversation with a respected curator and gallery director about my research on Continue reading
I find examining human history more comforting than considering the ever-encroaching future promised (or threatened?) by talk of the Anthropocene. This preference informs my work as an artist: Continue reading
This is the first in a series of posts on Perceiving the Anthropocene.
After escaping Polyphemus’s cave, Odysseus, ignoring protests from his men, shouts back in anger at the giant:
Cyclops! If any mortal asks you how
your eye was mutilated and made blind,
say that Odysseus, the city-sacker,
Laertes’ son, who lives in Ithaca,
Destroyed your sight.
— Homer, The Odyssey, IX.502-506, Emily Wilson, trans.
Odysseus’s announcement functions like a signature Continue reading
We welcome Ellie Irons, an artist and educator based in Brooklyn, NY, as a guest on the blog . . . click for her own website, or see her bio under the “Who we are” tab.
resistance (Biology): Ability (of an organism, tissue, or cell) to withstand a destructive agent or condition such as a chemical compound, a disease agent, or an environmental stressor. (American Heritage® Medical Dictionary) Continue reading
On November 4, 1966, the Arno overflowed its banks into the streets of Florence. A number of prominent foreign art historians, including Frederick Hartt and John Shearman, arrived soon thereafter to assist their Italian colleagues, working generally under the oversight of the Uffizi’s conservation director Umberto Baldini, in developing a response to a cultural emergency: the Italian Renaissance was underwater. Their collective expertise facilitated the arduous work of restoring what could be salvaged from the flood, which had Continue reading
We welcome to the blog Marit Hammond, of Keele University, for the next in our series on Environmental Political Theory.
The sea around the Brindisi industrial zone is contaminated with toxins and carcinogens, threatening the sea urchin and mussel populations that are farmed in this area. © Cerano Power station outflow, from the No Al Carbone series, Environmental Resistance, 2015.