Beginning last summer we started featuring a series of posts on the theme of perceiving the Anthropocene—so far, we have looked at objects or phenomena through which this colossal abstraction could be manifested to our senses. In one of my contributions I argued that a particularly good avatar of the Anthropocene is plastic. Plastic, I suggested, has an exemplary status in the Anthropocene as one of the most pervasive (and perhaps one of the more insidious) examples of the human transformation of nature. Continue reading
What are we to make of the fact that humans are susceptible to conspiracy theories involving anthropogenic effects on the planet? Continue reading
This is the first in a series of posts on Perceiving the Anthropocene.
After escaping Polyphemus’s cave, Odysseus, ignoring protests from his men, shouts back in anger at the giant:
Cyclops! If any mortal asks you how
your eye was mutilated and made blind,
say that Odysseus, the city-sacker,
Laertes’ son, who lives in Ithaca,
Destroyed your sight.
— Homer, The Odyssey, IX.502-506, Emily Wilson, trans.
Odysseus’s announcement functions like a signature Continue reading
[This is the continuation of the post from last week.]
The Plain of Catania, atop which the city of Catania sits, is land reclaimed from the Ionian Sea by Etna’s lava and other subterranean volcanic uplift. Johann Wolfgang Goethe, who traveled across it while writing the letters and notes that became his Italian Journey, refers quite accurately on May 1, 1787 to Continue reading
In Homer’s Odyssey (9.443), Polyphemus cries out “Nohbdy, Nohbdy’s tricked me, Nohbdy’s ruined me” after Odysseus, his captive and prospective meal, blinds him and eventually flees from his lair. Continue reading
On November 4, 1966, the Arno overflowed its banks into the streets of Florence. A number of prominent foreign art historians, including Frederick Hartt and John Shearman, arrived soon thereafter to assist their Italian colleagues, working generally under the oversight of the Uffizi’s conservation director Umberto Baldini, in developing a response to a cultural emergency: the Italian Renaissance was underwater. Their collective expertise facilitated the arduous work of restoring what could be salvaged from the flood, which had Continue reading