Seeing Artful Traces in the Geologic Record

This is the first in a series of posts on Perceiving the Anthropocene.

After escaping Polyphemus’s cave, Odysseus, ignoring protests from his men, shouts back in anger at the giant:

Cyclops! If any mortal asks you how
your eye was mutilated and made blind,
say that Odysseus, the city-sacker,
Laertes’ son, who lives in Ithaca,
Destroyed your sight.

— Homer, The Odyssey, IX.502-506, Emily Wilson, trans.

Odysseus’s announcement functions like a signature Continue reading

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Et in Arcadia ars: Thoughts on Volcanism and Urbanism in Southern Italy, Part Two

[This is the continuation of the post from last week.]

The Plain of Catania, atop which the city of Catania sits, is land reclaimed from the Ionian Sea by Etna’s lava and other subterranean volcanic uplift. Johann Wolfgang Goethe, who traveled across it while writing the letters and notes that became his Italian Journey, refers quite accurately on May 1, 1787 to Continue reading

The Iconoclastic Anthropocene: On How We Choose to Destroy Art

Ivo Bazzechi Cimabue FloodOn November 4, 1966, the Arno overflowed its banks into the streets of Florence. A number of prominent foreign art historians, including Frederick Hartt and John Shearman, arrived soon thereafter to assist their Italian colleagues, working generally under the oversight of the Uffizi’s conservation director Umberto Baldini, in developing a response to a cultural emergency: the Italian Renaissance was underwater. Their collective expertise facilitated the arduous work of restoring what could be salvaged from the flood, which had Continue reading